• Tag Archives Science Fiction
  • WARHAMMER 40,000: GLADIUS – RELICS OF WAR

    After thinking about why I disliked 4X games so much nowadays despite having formerly loved them, I came to the conclusion that it was the way most grouped all production into a single queue. Why should I have to choose between building a factory or an infantry unit (or a worker and an infantry unit for that matter)? It makes no sense.

    I mentioned Gladius while talking about Mechanicus earlier, and it got me thinking that maybe I should give it chance instead of dismissing it out of hand. That maybe it wouldn’t be just another Civilization reskin and instead do something innovative. Shockingly enough… it does.

    Imagine my surprise when I discovered that the game just so happened to have multiple build queues; each building type has its own queue, similar to a turn-based StarCraft. Not only that, but the various factions (although there’s only 4 of them by default) play notably differently from one another. Some can only build a single city (Space Marines), some can only build cities in very specific locations (Necrons), and they all seem to have different resource requirements. It’s immensely refreshing.

    My only complaint at this point is that you have to pay an exorbitant amount of money if you want a decent number of army choices: Additional factions will cost you $15 each. Meaning to get the full game you’ll have to fork over $100. So… best wait until it’s on sale for like 70%+ off.


  • WARHAMMER 40,000: MECHANICUS

    I’ve never had much luck with digital versions of Warhammer games so had put off picking this up until it was exceptionally cheap (which it recently was). All I ever wanted was an adaptation where you could build an army and fight turn-based battles just like the tabletop version, ideally with some form of leveling or upgrade system.

    Yet every PC version features either real-time combat (most of them), 4X elements (Total War, Gladius), or has extremely limited army selection (Sanctus Reach). And unfortunately, this game falls into that last category.

    You don’t really have many options here and all of the challenge lies in avoiding bad event choices until you have your first 3 Priests at about Rank 12 or so with access to an AOE weapon (like the Flamer or Grav/Torsion Cannon). Save scumming works, as does referencing someone else’s run. If you want to do things naturally, then make sure to listen to the other characters’ advice (if they suggest acquiring something, acquire it) and choose options that fit the mission objective (assuming everything’s a trap is a good rule of thumb).

    After that point you can pretty much roll every encounter and clear missions with 0-1% awakening rates. Then once those Priests hit Rank 19-20 there’s little reason to bother looking for Blackstone any longer and battles just become an annoyance. I ended up upgrading two additional Priests into pure troop-summoners just for the hell of it; instantly summoning a flame-spewing battle robot anywhere on the field is mildly amusing.

    So yeah, the game’s fine for one playthrough… but at this point I can’t imagine ever replaying it.

    Some Stuff:

    [Builds]

    Tech 9, Lex 5, Explor 3, Dom 2
    Tech 1, Lex 9, Explor 3, Dom 5
    Tech 9, Lex 9, Dom 1 || Tech 1, Lex 5, & (Explor+Dom) 12
    Tech 1, Sec 9, Dom 1

    [Armor Stats]

    Head
    Explor = 2 HP, 1 P.Arm
    Sec = 2 HP, 1 E.Arm
    Tech = 2 E.Arm
    Lex = 1 Arm
    Engine = 1 P.Arm
    Dom = 2 HP, 1 E.Arm

    Arms
    Explor = 1 P.Dam
    Sec = 2 HP, 20% Crit
    Tech = 1 HP, 20% Crit
    Lex = 2 HP, 20% Dodge
    Engine = 2 HP
    Dom = 1 E.Dam

    Torso
    Explor = 3 HP, 1 P.Arm
    Sec = 4 HP
    Tech = 4 HP, 1 P.Arm
    Lex = 4 HP
    Engine = 3 HP, 1 E.Arm
    Dom = 3 HP, 1 E.Arm

    Legs
    Explor = 2 HP, 3 Mov
    Sec = 3 HP, 1 Mov
    Tech = 2 HP/Mov
    Lex = 2 HP/Mov
    Engine = 2 HP, 1 E.Arm
    Dom = 3 HP/Mov


  • Assassin’S CREED: VALHALLA – Conclusion

    Oxenefordscire ended up more like the beginning of the midgame rather than the midpoint of the game itself.

    While exploration and combat never changes from that point, the main questlines take a hard turn into railroad central. Early main quests are good at giving you the illusion of choice; later ones not so much. This works on a thematic level (the whole unchangeable fate/destiny thing) but it’s not a lot of fun to experience. Oh, I guess there was one change in the exploration aspects: You’ll want to clear all 10 Anomalies before completing the Norway quest that sends you to the far northeastern point of the map.

    Ultimately ended up at 142 hours with 94% completion, all areas cleared, and 65 Mastery points. I never did find any Black Bears or Wolf Fangs for the hunter requests though (or small Sturgeons and big Redfish for the fishing requests), and had to look up the location where to use those various Mysterious Tablets (the area is instantly recognizable, but also easily overlooked since there’s no treasure chests there).

    One final thing:

    If you’re experiencing random freezes, try installing the “Visual Studio 2015, 2017 and 2019” C++ update. The x64 one fixed the issue for me.


  • Assassin’S CREED: VALHALLA – Midgame

    With roughly 50% of England cleared (Oxenefordscire, Lunden, and everything lower level), 7 zealots killed, 11 Order members killed, all non-feast buildings constructed, silver equipment, and 205 skill points this seems a decent enough place to mark as the midpoint of the game.

    With ~55 hours invested so far it’s quite large, larger than it seems because there’s also an Asgard ‘dream world’ map (cleared that too) along with apparently a Vinland area (haven’t gone there yet). What’s really remarkable about this is that each area so far has felt pretty distinct in both the landscape and questing departments, all of which was enjoyable until the bizarre Odyssey-like change in the Eivor/Sigurd dynamic that occurs in Oxenefordscire.

    Combat-wise I’ve been using heavy dual-wielding. Started with a greatsword & dagger combo, switched to a spear & dagger combo, and then finally settled on a greatsword & spear combo (using the Dual Swap skill depending on whether it’s a boss fight or not). It’s extremely effective for plowing through enemies I can’t assassinate/headshot ahead of time (I do however still miss the 3-enemy chain assassination ability quite a bit).

    There’s no shortage of skill points (and you can respec whenever you want) so there’s not really any need for skill breakdowns, though Brush with Death and Advanced Assassination are godly, Explosive Corpse and Battlefield Bolt are garbage, Counter Roll is kind of sketchy since you need to dodge into attacks for it to work, and Auto-Loot is just plain nice to have. Abilities are a bit trickier. I’ve been rolling with Valkyrie Dive (great quick stun), Rage of Helheim (you have to hold the button to connect), and Throwing Axe Fury (crowd control). Bow abilities I’ve mostly been ignoring apart from Powder Trap (to blast through weak walls).

    As far as settlement buildings go, some are certainly more useful than others. The Blacksmith (equipment upgrades), Hidden Ones Bureau (quests, targets, rewards), Hunters’ Hut (quests, rewards), Seer’s Hut (quests), Museum (quest, rewards), and Fishing Hut (rewards, at least one Mystery event requires the fishing line) are probably the most important. The Barracks (cosmetics), Tattoo Shop (cosmetics), Shipyard (cosmetics), Stable (cosmetics, don’t have to travel for horse training), and Trading Post (don’t have to travel to other cities to shop) meanwhile are all nice to have. The feast-buffing ones are obviously situational (although the Bakery has a couple quests), and the Cartographer is completely useless if you happen to be the exploring type.

    At some point you’ll also get an Opal Shop for free. This serves as a method to buy Cash Shop items with in-game currency rather than actual money. On the positive side of things this currency is renewable through simple daily quests… on the negative, these quests award 5 opals a piece and you only get two a day (a new piece of equipment costs ~130 opals). So while you ~can~ technically get these pseudo-DLC items for free it’s not exactly something worth obsessing over (and besides, there’s plenty of equipment/customizables already in the game).

    All in all a very impressive showing so far even with the recent main plot hiccups. The only other thing I can really complain about is the inability to assassinate zealots the same way you could assassinate mercenaries in Odyssey. Oh, and I guess it’s also a bit annoying that the most efficient path forward is to complete the main questline in each area before exploring; it reduces backtracking and some items don’t appear until a quest triggers them (if you see a chest marker on your map that doesn’t have a related item for instance, chances are it’ll appear later during a quest).


  • Assassin’S CREED: VALHALLA – First Impressions

    The follow-up to Odyssey, Valhalla trades ancient Greece for medieval Europe (specifically Norway and the Viking invasion of England).

    The exploration aspects remain pretty much identical, though points of interest have been streamlined/condensed for a far less cluttered experience and it doesn’t appear to be possible to highlight enemies while in Bird View any longer (I suspect the ranged ability which automatically highlights enemies replaced it). You also now have to manually click on a chest marker if you want it shown on your compass rather than that happening automatically.

    Combat on the other hand is a bit different, with boss fights now being geared toward counters/parries and slower deliberate fighting instead of hectic hack & slashing (random trash mobs can still be attack-spammed into oblivion though). A particularly interesting choice is the implementation of a stamina system which drains when you dodge/block, use a power attack, or miss with an attack, but refills when you connect with normal attacks or just move around normally. This encourages a more engaged, hybrid playstyle and avoids the trap Elex fell into.

    The biggest change though is the equipment system: It’s been drastically simplified so that there’s only one or two varieties of a particular weapon or armor piece. Rather than continually finding new randomized variations with slightly better stats, you instead directly upgrade whichever particular weapon/armor type you want to use. I’m not sure how I feel about that just yet considering my fondness for collecting things, but it does make sense from a gameplay perspective and makes finding a new weapon something of a special event.

    All-in-all, at this point with Rygjafylke cleared (make sure to periodically check your map at its most zoomed-in setting to catch any resource chests; they show up as faint gold specks), I’m pretty well satisfied with this incremental upgrade so far. We’ll see how things progress when the assassination ability is finally unlocked and the action shifts to England.


  • Book of DEMONS & Some Other Games

    Book of Demons is a hack & slash game with some minor roguelike elements modeled on the first Diablo. One greatly simplified into a mobile game format where you walk along rails while clicking on anything in your ‘light radius’ to interact with it, while equipment/skills are represented by upgradable cards that you can assign to unlockable action bar slots.

    Despite its simplicity and lack of depth (leveling up gives a choice between +1 Health or +1 Mana), it ends up a pretty fun diversion in the vein of Candy Crush for when you have a few minutes to kill. Not sure what sort of longevity it’ll have though since the levels are so far are all pretty similar (up to the Cook quest boss) with the abilities of various enemies occasionally crossing over into ‘bullshit’ territory.

    As for the titular “other games”:

    • Sword Legacy: omen – I installed this ages ago, played the first battle or two, and then put it aside out of general disinterest. I can safely say now that I have no intention of ever touching it again.
    • MONSTER HUNTER: WORLD – Got through the opening, messed around in the training area for a while… and then promptly uninstalled when I discovered all the hunts have time limits.
    • The: QUEST – A game styled after classic first-person RPGs (think Might & Magic X: Legacy), it felt to me both empty and overpopulated. Leave town and there’s a whole bunch of nothing in every direction, yet there’s also an inexplicably large number of scantily-clad archers waiting to kill you. There’s just a pervading sense of unease about the whole affair.
    • DEEP SKY DERELICTS – After spending a minute or two wandering around the first ship finding a whole lot of nothing, I ran into a battle. There I discovered that every action you take in combat reduces your Energy level (run out of Energy and you die; moving also costs energy). I have no interest whatsoever in dealing with such severe resource management bullshit.
    • Celestian Tales: OLD NORTH – The characterizations are all pretty painful and the visuals are notably lackluster.

  • STAR RENEGADES

    Structurally, this game is similar to Slay the Spire: Traverse three semi-randomized branching paths capped by a static boss fight, fighting turn-based battles and collecting items along the way, concluding with a much smaller endboss level.

    As a roguelike, you’re expected to play through multiple times with different characters in order to unlock various features such as new classes, class variations, individual character bonuses, a larger pool of possible equipment spawns, and a few relatively expensive general ease of use buffs (e.g. additional merchants). Like StS it manages to avoid feeling like these unlocks are a grind or the main purpose of playing; it’s perfectly possible to win with the starting characters on your first playthrough. The endboss changing after every win is a particularly nice touch that provides a remarkable amount of variety.

    Combat is a pretty straight-forward affair with everyone (usually) getting one action a turn and each action having a different speed value which determines the action order. Where the strategy comes into play is that if you attack before your opponent, that attack will end up a guaranteed critical hit. Whereas criticals in most games are just a simple +% damage, here each attack has its own specific bonus and each critical hit also refills the equivalent of your mana pool (used for free actions or combo attacks). Which means making sure you attack before your opponent is essential to success. A task assisted by a stagger system which lets you delay an enemy’s action a certain number of times.

    All in all it provides a remarkably well balanced mix of randomization and skill. Oh, but do be aware that the style of humor is extremely irreverent (think Cosmic Star Heroine).


  • Sundry Anime Movies

      Gekijouban: FAIRY TAIL – DRAGON CRY
      The improved animation (compared to the parent series) is offset by the worse character artwork and massive pacing hit watching it where it supposedly takes place (post-episode 285) causes. Content-wise it’s effectively a generic battle shounen filler movie.
      Saenai Heroine no Sodatekata Fine
      The franchise‘s conclusion begins by almost entirely sidelining the harem aspects to focus on Megumi and how her comments regarding the game mirror her real-life relationship with Aki… only to have the entire thing derailed by a completely unrelated dramatic development about a third of the way through which inexplicably reintroduces the harem elements. They had a natural ending right there only to go and water down and delay it via contrived drama. Why?
      Goblin Slayer -Goblin’s crowN-
      It starts out with a 25-minute recap of the first season (focusing on the violence and rape; which is an odd choice considering the initial reaction to that season was mostly split between ‘the first episode is nothing like the rest of the series’ and ‘the series is nothing but rape’). Such baffling production decisions. As for the new content, the quality level ends up slightly worse the prequel… assuming you go in expecting a double-length TV episode rather than a movie. If you go in actually expecting a movie it will probably end up mostly disappointing.
      HUMAN LOST
      While inspired by No Longer Human and including some of its major plot points, this movie changes far too much to be considered an adaptation (so best to just forget about that if you haven’t already). It’s an action-drama now and a gorgeous work of desolation and futility… though I feel the giant monster and final fight in the ‘void’ were overkill.
      BURN ✠HE WITCH
      Taking place in the same universe as Bleach, being set in a completely different location (one with more of a Harry Potter vibe to it), this movie focuses entirely on the franchise’s magic system rather than item-based or physical combat. It starts off well enough with crisp artwork, fluid combat animation, and mostly decent characters. The problem is with one particular character: Balgo. He’s awful and has no reason to exist beyond being awful and causing some of the most contrived plot developments I’ve recently had the misfortune of being exposed to.
      Sora no Aosa o Shiru Hito yo
      While the movie works decently enough as a music-themed relationship drama for about 3/4ths of its runtime (leavened by ample comic relief), the vaguely Anohana-like supernatural elements don’t really add anything. It doesn’t have much of an ending either, with events being resolved in the most arbitrary manner possible and an epilogue taking the form of still images embedded in the credit roll.

  • NO GUNS LIFE & Toaru Kagaku no Railgun T.

    The action-drama No Guns Life has a visual similarity to Zetman, an atmospheric similarly to detective noir, and a small ill-fitting streak of often ecchi-related comic relief. Personally I just strongly disliked Tetsurou and Olivier’s character design and wasn’t interested enough in the plot developments to stick with it beyond the first half.

    Yet another entry in the Index franchise, Railgun T takes place sometime between the Accelerator spinoff and Index III. It’s strange. Ideally you would want consistent visual quality, right? Yet here the end result comes off as unnaturally natural. Like, there are fully drawn people walking around with detailed background destruction down to individual glass shards… the world actually looks real.

    And that’s the problem: Anime, in my opinion, shouldn’t look real. It’s disconcerting. Almost as disconcerting as the large amount of fanservice (e.g. there’s an entire episode dedicated to two characters’ quest to enlarge their bust size).

    Oh yeah, I also watched some of Eizouken ni wa Te o Dasu na! recently; if you really like the mechanics of making Anime (and don’t mind children’s drawings) give it a shot. I’m not all that fond of creator mythmaking myself and didn’t like the character design much either.

    Continue reading  Post ID 8757


  • Arcanum Unbounded: The Cosmere Collection

    This collection of short fiction spans Brandon Sanderson’s various existing Cosmere series along with two currently stand-alone ones.

    The first two take place on the world of Elantris, with The Emperor’s Soul effectively being stand-alone with no need to have read anything else (though having read the first two Stormlight Archive books will help conceptually). The Hope of Elantris meanwhile is heavily dependent on having recently read Elantris proper, but honestly isn’t very good at all and would probably be best skipped.

    The next three stories focus on the Mistborn world. The Eleventh Metal is a prequel that’s basically a chapter-length interlude which would’ve worked better placed as a flashback in the first book instead of having been released separately. Allomancer Jak and the Pits of Eltania on the other hand jumps ahead to the Alloy of Law half of the series setting-wise and essentially ends up its own separate thing. This section is then wrapped up with Mistborn: Secret History which is quite long and reveals what was going on behind the scenes during the 2nd and 3rd Mistborn novels. You can read it without being familiar with the series proper (I had forgotten nearly everything about it by this time), but it will likely have more impact if read shortly after finishing those.

    The remaining stories are each from a different world:

    • White Sand is an excerpt from a graphic novel project of the same name, with both the actual comic pages and a plain-text version being included. The plain text version is far better.
    • Shadows for Silence in the Forests of Hell has a pretty interesting setting combined with pretty annoying character behavior.
    • Sixth of the Dusk is a bit heavy-handed with its messaging and relationship development, but the setting is original enough to forgive it.
    • Edgedancer takes place between the 2nd and 3rd Stormlight Archive novels and should most definitely be read at that point.

    The entire work also features an outside observer framing device which gives a brief introductory overview of each setting along with a glimpse into how they’re connected to one another (these parts probably won’t make much sense if you haven’t read at least the first two Stormlight Archive books). It’s an impressive display and worth the price of admission if you’re a fan of Sanderson’s worldbuilding.