• Tag Archives Science Fiction
  • Books; Before and After

    First the before, which was three books read back in August:

    Jean le Flambeur – This trilogy by Hannu Rajaniemi reminded me of two other authors’ styles. The first book (The Quantum Thief) was reminiscent of Jack Vance, the second (The Fractal Prince) of R. Scott Bakker, and the third (The Causal Angel) a combination of the two. These books do not explain what’s going on. Rather, they show you what’s going on and trust that you’ll be able to understand/decipher the terminology and happenings on your own. It’s… certainly interesting.

    And now the after, three books I just read yesterday. The first since the trilogy above:

    The Winter Long – Seanan McGuire’s eighth October Daye novel apparently kicks off the ‘main’ plotline that’s been simmering in the background since Rosemary and Rue. Which is not to say that things have changed all that much, as it’s still fundamentally the same series it has always been… just with higher overall power levels.

    Unbinding – This eleventh Lupi novel is focused on wrapping up the loose ends from the tenth and is told from the perspective of the mindhealer Kai. There’s not really much to say about it honestly, since if you’ve been reading this far into the series you already know what to expect and this doesn’t do anything in particular to shake things up. One aspect stands out though, and that’s the possible newfound focus on marrying off its characters. I don’t really like the message this appears to be trying to send; that somehow ‘officially’ being bound to your SO should be important for the relationship in any way, shape, or form. Of course I highly doubt anyone impressionable enough to have their views on the subject changed will be reading a series like this in the first place, so I suppose it doesn’t matter much.

    Havoc – The second part of Ann Aquirre’s Dred Chronicles series is sort of so-so. I wasn’t really sure where things could go from the first book, and this one just feels like an excessive escalation. I also don’t remember the central government being so ridiculously corrupt in the Sirantha Jax novels (this takes place in the same universe), which caused some cognitive dissonance. It’s okay I guess, it just lacks solidity and doesn’t come across as particularly believable.


  • Of Heroes and Villains

    I do not have a high opinion of web-based publishing sites. In my experience, most of the stories found on them are far below the quality of even the worst supermarket paperback you may pick up. I stumbled across a link a few days ago however which lead to two particular stories, Of Heroes and Villains and the sequel The Ties That Bind (both by the relatively new author Minikisa), which are fairly impressive.

    I would say they are easily on par with your average paperback romance/paranormal romance novel and are indeed actually of a notably higher quality. I know, I know; low bar. Still, it’s something worth noting. Anyway you should judge for yourself. A few preliminary words of warning however:

    The first of these stories is heavily focused on a Male-to-Female transgender, and so if you find that uncomfortable for whatever reason I do not think it would be a good idea to read it. While the setting and characters are very good, the gender identity conflict is rather central and so dislike of that aspect will probably result in dislike of the entire thing. The second story however just has some temporary body-swapping and so should be more or less fine for anyone. Oh, and yeah, there are a few sexual scenes scattered about (more in the first, though neither story makes them the focus).

    Of Heroes And Villains
    The Ties That Bind


  • Relatively Recent Books

    Been procrastinating with adding these because it’s a pain. May as well get it over with now:

    • Sealed with a Curse (Cecy Robson) – Real bad. Basically all the worst Urban Fantasy and Paranormal Romance tropes/stereotypes mashed together. One of the characters having a surfer-dude accent for whateverthehell reason just made it all the more aggravating.
    • Allegiant (Veronica Roth) – Honestly, it’s been so long since I read this that my only recollection is liking how Tris’ story turned out while disliking the somewhat circular nature of the plot developments.
    • The Razorland Trilogy (Ann Aguirre) – The first book starts out good but seems to lose its way toward the end when the protagonists start picking up party members like a RPG. The second shifts between being interesting and being annoying (the latter mostly caused by the whole gender roles focus), and the third is readable enough even though it wraps everything up a little too neatly.
    • Red Delicious (Caitlín R. Kiernan) – Usually when people dislike something, they’ll just make a blog/forum post about it. Kiernan (as Kathleen Tierney) goes the extra mile and writes a book about it. This reads like an open letter regarding all the sorts of books/genres and literary criticisms she hates and frankly just comes across as rather sad posturing.
    • Wild Justice (Kelley Armstrong) – Fairly interesting continuation of the Nadia Stafford series that focuses on both Nadia’s past and her current relationship with Jack. There are a few things off about the ending stretch that sort of dull its sheen though.
    • The Undead Pool (Kim Harrison) – A more or less solid continuation of the series focused on vampires, elves, and Trent/Rachel’s relationship.

  • Tempt the Stars, Omens, & Parasite

    The sixth book in Karen Chance‘s Cassandra Palmer series is a lot like the previous entries, so you should basically know what to expect. Its three notable features are exploring the hell dimensions a bit, introducing the Covens and touching on the Pythia’s court, and giving practically no page-time to Mircea (focusing instead on Pritkin and retrieving him from his father).

    Kelley Armstrong‘s new series (Cainsville) begins with a fairly infuriating opening segment showcasing the horrors of unwarranted tabloid-fueled reputation assassination. Once it gets past that setup and arrives in the town of Cainsville things begin to get quite good indeed. The supernatural aspects start off mostly subdued and only gradually begin to make their presence known, which works fantastically. And the variety of supernaturals being dealt with here? It’s not explicitly stated, but seems to be a combination of inherent psychic abilities with some Fae thrown in for good measure.

    Parasite is the first novel in Mira Grant’s (Seanan McGuire‘s) new Parasitology series. It’s something of a combination between the renegade scientist parts of her Newsflesh trilogy and Stephenie Meyer’s The Host. It’s a little shaky due to both the characters’ tendency to monologue exposition at you and the awkwardness inherent in the protagonist not being legally in control of her life. I’m also not sure if the reveal just before the “to be continued” is supposed to be a surprise or not; it’s telegraphed so heavily that it ends up rather anticlimactic.


  • Recent Books

    Normally I do these three at a time… but, well…

    Cast in Sorrow (Michelle Sagara) – Completes the storyline started in Cast in Peril. I’m indifferent toward it. While on the one hand there’s some tangible progress on the Barrani front, on the other the general style and plot developments are starting to seriously trend into the abstract and hand-wavy. It’s hard to read some of it without feeling a deep sense of skepticism. Aside: For some strange reason I picture the Barrani as being similar to The Last Remnant‘s Sovani.

    Chimes at Midnight (Seanan McGuire) – Not much to say about this really other than it’s just as good as the earlier October Daye novels. Well, one more thing: It seems to mark the beginning of shifting the overarching background conflict into the foreground.

    Ritual Magic (Eileen Wilks) – It’s fairly amazing that this series continues to avoid the various and sundry paranormal romance pitfalls. Picking up right where Mortal Ties left off, it ends with what looks to be a good point to switch over to a different set of protagonists for a bit.

    Steelheart (Brandon Sanderson) – The setting for this novel is very good and having a protagonist that seems to have either asperger’s or autism is an interesting choice. Unfortunately, those are the only things I can praise about it since the general character behavior and plot developments seem ripped right out of a summer blockbuster. It all feels so artificial.

    Perdition (Ann Aguirre) – This beginning of a new series set in the Sirantha Jax universe is, for the most part, very engaging indeed. The only area in which it slips up a bit is the romance aspect. The relationship seems a little forced and does not feel quite natural. That said, it’s certainly not as bad as what you’d find in a generic romance novel.

    Dancing with the Devil (Keri Arthur) – Speaking of generic romance novels…. I ordered the first three books in this series blind due to what I’m going to chalk up to sudden insanity. For some reason I thought this might be more like Arthur’s Myth and Magic series then her Riley Jenson/Dark Angels series. Again, no clue why I thought that, but this book is as generic paranormal romance as you can get.

    Hearts in Darkness (Keri Arthur) – The first entry in this series is merely generic; this one is downright painful. Not only is the most by-the-numbers example of a paranormal romance still present and as vaguely embarrassing as ever, signs of power-level creep start to appear alongside a dash of internal inconsistency.

    Chasing the Shadows (Keri Arthur) – While for the most part just as unpleasant to read as the second book, this does take an unexpected turn toward the end. The ‘good guys’ actually losing is a very rare thing to see in this sort of novel. Of course, considering the new suite of powers Nikki gains here that loss may end up being not much of a loss at all in the long run.


  • Magic Rises & Theirs Not To Reason Why

    The seventh book in Ilona Andrews’ Kate Daniels series (assuming you include Gunmetal Magic) deals primarily with Hugh d’Ambray and has a small side-focus on some of the Shapeshifters in Europe. While the basic situation and various plot/romantic developments come across as rather contrived, the general feel of the book is similar enough that it ends up enjoyable regardless. The one-liners help.

    The Theirs Not to Reason Why series (A Soldier’s Duty, An Officer’s Duty, Hellfire), authored by Jean Johnson, has an uncommon central concept and an expansive setting. The story centers around an extremely powerful psychic (capable of seeing the entirety of the past, present, future, and all of the alternate realities thereof) who upon discovering that the universe will be completely destroyed by an overwhelming outside force sets her life upon the one narrow path that can lead to the avoidance of that fate.

    Despite being so heavily focused on predestination and following a painstakingly exact schedule, the first two books do not come across as contrived or feel particularly forced. Which is impressive. The third book on the other hand does not quite manage that feat. It has a couple of moments here and there that manage to feel organic, but the majority comes across as a dictated compilation of deus ex machina. That’s not to say its bad or unreadable, it’s just not as engrossing as the first two.


  • Divergent, Silver Shark, & The Damnation Affair

    The first two books in Veronica Roth‘s Divergent series (Divergent & Insurgent) are an interesting window into an attempted utopian community that ends up dystopian in the extreme. You can clearly see both the good intentions behind the society’s structure as well as all of the myriad ways that they can (and do) get corrupted and ultimately fail. So; so far so good. Hopefully the areas outside the city limits (which the third book will presumably focus on to some extent) will end up just as believable as the city itself.

    Silver Shark is a short novella by Ilona Andrews set in the Kinsmen universe. As with Silent Blade this story has a wonderfully detailed background setting that you really wish you could spend more time in. Where that lack of time really hurts though is in the romance arc, which ends up feeling incredibly contrived/rushed.

    Lilith Saintcrow’s The Damnation Affair supposedly takes place in the Bannon and Clare universe. To me, it did not feel even the slightest bit attached to that series… and it’s not just the genre switch from Steampunk to Western either; the supernatural bits seemed to work completely differently. Putting that aside, I didn’t like this story for two reasons. The first is that it turns out I strongly, strongly dislike ‘cowboy talk’ while the second is that the female protagonist is extraordinarily strong-headed while lacking any real power or skill to back it up. While not exactly helpless, against what this book throws at her she may as well be.