{"id":1302,"date":"2015-10-27T16:46:10","date_gmt":"2015-10-27T16:46:10","guid":{"rendered":"http:\/\/www.offkorn.com\/blog\/?p=1302"},"modified":"2015-10-28T00:28:01","modified_gmt":"2015-10-28T00:28:01","slug":"a-red-rose-chain-magic-breaks-magic-shifts","status":"publish","type":"post","link":"https:\/\/www.offkorn.com\/blog\/a-red-rose-chain-magic-breaks-magic-shifts\/","title":{"rendered":"A Red-Rose Chain, Magic Breaks, &#038; Magic Shifts"},"content":{"rendered":"<p><a href=\"https:\/\/en.wikipedia.org\/wiki\/Seanan_McGuire\" target=\"_blank\">Seanan McGuire<\/a>&#8216;s <em>A Red-Rose Chain<\/em> has an ending problem; it&#8217;s both anti-climatic and rather abrupt. The journey up to that point is entertaining for the most part though, with the only hiccup being a bizarre page-and-a-half dialog regarding a character dramatically revealed to be transsexual. Why is there such a hamfisted focus on it? I don&#8217;t recall any particular attention being drawn to May&#8217;s lesbian relationship before, and this should have been no different.<\/p>\n<p>As for <a href=\"https:\/\/en.wikipedia.org\/wiki\/Ilona_Andrews\" target=\"_blank\">Ilona Andrews<\/a>&#8216; <em>Magic Breaks<\/em> and <em>Magic Shifts<\/em>: The first acts as a conclusion of sorts to the background conflict that has been building from the very first entry in the series, while the second continues on in a slightly different yet still quite similar direction. There&#8217;s a comforting familiarity about them that was absent from their more recent prequels.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Seanan McGuire&#8216;s A Red-Rose Chain has an ending problem; it&#8217;s both anti-climatic and rather abrupt. The journey up to that point is entertaining for the most part though, with the only hiccup being a bizarre page-and-a-half dialog regarding a character dramatically revealed to be transsexual. Why is there such a hamfisted focus on it? I don&#8217;t recall any particular attention being drawn to May&#8217;s lesbian relationship before, and this should have been no different. As for Ilona Andrews&#8216; Magic Breaks and Magic Shifts: The first acts as a conclusion of sorts to the background conflict that has been building from the very first entry in the series, while the second continues on in a slightly different yet still quite similar direction. There&#8217;s a comforting familiarity about them that was absent from their more recent prequels.<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[17],"tags":[20,86,107,106],"class_list":["post-1302","post","type-post","status-publish","format-standard","hentry","category-book-related","tag-ilona-andrews","tag-kate-daniels","tag-october-daye","tag-seanan-mcguire"],"aioseo_notices":[],"_links":{"self":[{"href":"https:\/\/www.offkorn.com\/blog\/wp-json\/wp\/v2\/posts\/1302","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.offkorn.com\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.offkorn.com\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.offkorn.com\/blog\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.offkorn.com\/blog\/wp-json\/wp\/v2\/comments?post=1302"}],"version-history":[{"count":0,"href":"https:\/\/www.offkorn.com\/blog\/wp-json\/wp\/v2\/posts\/1302\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.offkorn.com\/blog\/wp-json\/wp\/v2\/media?parent=1302"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.offkorn.com\/blog\/wp-json\/wp\/v2\/categories?post=1302"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.offkorn.com\/blog\/wp-json\/wp\/v2\/tags?post=1302"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}