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  • Over the Woodward Wall & CAST IN CONFLICT

    I’m unsure why Over the Woodward Wall, written under the alias A. Deborah Baker, is not a part of Seanan McGuire‘s Wayward Children series. In all ways that matter it’s pretty much identical to those books… so why did she invent a new alias just for this? To trick people who hated that series into thinking it would be more like Middlegame instead?

    Whatever the reason, I’d suggest avoiding it unless you love Wayward Children and/or enjoy paying $12 for less than 200 pages of story.

    Michelle Sagara‘s 16th Elantra novel goes in an unexpected direction from where Cast in Wisdom left off. I had thought it would focus on the protagonist learning to read her marks, but it instead centers on semi-completing Bellusdeo’s character arc and reducing the number of directionless Cohort members laying about. Though to be fair it also introduces a new character who looks like they’ll help quite a bit in the ‘deciphering marks’ department.

    So it’s… more of the same I suppose? Which, at least as far as I’m concerned, is a good thing.


  • CLASSROOM of the ELITE #4-5

    I made two mistakes when deciding to read this series. The first was forgetting about all the people who said the Anime version made significant changes to the source material, while the second was accidentally buying the 5th book before the 4th.

    That fourth book picks up shortly after the students leave the deserted island, includes the two brief Ayanokoji/Sakura and Ayanokoji/Kushida interactions shown in the last episode of the Anime, and features a test where the various classes are split into cross-class groups and have to decide whether to work together or betray one another. In terms of event setup and development the Anime is pretty similar… the difference instead is entirely contained to the protagonist; neither his personality nor goals match up.

    The Anime protagonist and the LN protagonist are effectively two different people (as divergent as Akagi and Ainz), which completely changes how otherwise similar event developments come across. To put it bluntly: The LN protagonist is utter trash. And since the best part of the Anime was the protagonist….

    The 5th book, which I never would have bought had I already read the 4th, is slightly better thanks to Ayanokoji acting a bit more like his Anime counterpart. Unfortunately, the event development is completely centered on a school sports festival. A standard, no twists, generic school life series sports festival (populated by characters with garbage personalities). It’s incredibly aggravating.

    So yeah, I can’t really recommend these books to anyone. If you want to check them out anyway though, I’d suggest starting with the 1st book in the series even if you’ve already seen the Anime. The protagonist is so different they may as well be alternative versions of one another.


  • Blood Heir & So I’m a Spider, So What? #12

    I actually read Ilona AndrewsBlood Heir way back at the end of May and just never found a good time to bring it up (since I like to have at least two books to talk about before making a post).

    It’s… okay I guess? It picks up from where the Kate Daniels series left off following a pretty large timeskip with Julie as the new protagonist. Events are what you’d come to expect from the franchise, walking back some of the more ludicrous developments of Magic Triumphs, but the romantic developments can’t help feeling like yet another replay of the Curran/Kate relationship.

    The 12th Kumodesuga novel meanwhile answers the question brought to mind by the 11th. Why did that novel focus almost entirely on Julius? Because this one covers the events surrounding his death in greater detail… not that greater detail was needed. Nor was it necessary to devote 2 chapters or so to the two least interesting people in his party.

    Meaning that overall this 12th entry is highly disappointing. Not quite so much as the 11th, but it’s definitely the second worst book in the series I’ve read so far and probably best off skipped entirely (along with its predecessor) on any re-reads.


  • That Time I Got Reincarnated as a SLIME #6-11

    Despite there being an Anime adaptation of this franchise currently airing, it seemed like a good idea to check out the light novel version while waiting for that to finish. Both because I was impatient and because the Anime is based on the manga version (the web novel, light novel, and manga versions each have their own quirks).

    Transferring over from the end of the Anime‘s 36th episode into the 6th and 7th novels, event-wise at least, is a fairly smooth experience. The main things of note are a difference in translation sensibilities (‘magic-born’ instead of ‘majin’ for instance), a much greater focus on RPG-like elements, and some minor character differences (e.g. Raphael being male, Rimuru’s personality trending more toward smarmy than carefree).

    The 8th & 9th books on the other hand stand out both for being a heavily food-centric two-parter and for introducing the series’ worst concept so far: Tempest’s Labyrinth. Just unimaginably stupid; this isn’t Danmachi. And, worst of all, Book 10 devotes its first hundred pages or so to more completely extraneous Labyrinth bullshit. I sincerely hope that the Anime completely cuts out everything related (if it ever gets that far).

    As for the 11th novel, there’s thankfully not really much to complain about here aside from the stage having being set for potential harem shenanigans later.

    Ultimately when all is said and done, while the LN version isn’t objectively bad, it’s notably worse than the Anime version to the point that I would strongly suggest sticking to that unless you really like the franchise or don’t mind reading something that ends up intermittently annoying.


  • ARIFURETA: FROM COMMONPLACE TO WORLD’S STRONGEST #5-11

    Although this franchise is getting a second Anime adaptation relatively soon, I decided to switch over to the novels since the (lack of) quality on display in the earlier adaptation makes it doubtful any continuation will end up any good.

    Happily, it seems the author is not one to pointlessly drag out their stories or cut corners. Less happily, it turns out that the content of the source material is pretty much the same as the content of the Anime. Meaning it’s a fairly stereotypical, if slightly more explicit, action-focused harem series with its one saving grace being not having an oblivious/indecisive protagonist. The Anime did leave out a number of things though, so I’m morbidly curious what the second season is going to do about Lily’s existence and the beastman city.

    Comparisons aside the story advances at a pretty brisk clip until you reach the end, where there’s a pair of two-parters. The 9th and 10th books cover the clearing of the last labyrinth while doubling as something of a character study, while the 11th and (eventual) 12th are the main plotline’s action-heavy climax.

    To be frank, I do not like the 11th book at all. Though the series as a whole has never given a shit about keeping consistent power levels, the constant stream of insanity present here goes well above and beyond what could be considered acceptable. It has no believability whatsoever, which robs what should be dramatic scenes of all tension. What the 6th novel pulled off this one unequivocally fails at.

    Which means I have little hope the 12th (and presumably final) book will end the series well.


  • The Irregular at Magic High School #12-16

    The transition from the end of Raihousha-hen to Book 12 of the source material is unfortunately not particularly seamless.

    There’s some notable overlap between events, namely Minami’s and the Saegusa and Yotsuba twins’ introductions. The skyscraper opening ceremony there meanwhile is actually a near-total alteration of a welcome-home party in the book. An understandable change, seeing as how the original version introduced a bunch of new characters (some of whom are never seen again) and they probably wanted to end the series with a bang.

    What really sticks out though is the density of the text, which shouldn’t have been a surprise considering how wordy the Anime series is. It takes some time to get used to the conversational style, which frequently skips between similarly named characters and occasionally has a rather odd syntax. I wonder if they used multiple editors? When/if you acclimate yourself to the oddities though the general experience is not unlike watching the show, featuring a similar mix of dialog, action, and comedy.

    At least for the 12th through 15th books.

    The 16th however, which (perhaps not incidentally) is the shortest of this bunch, throws a couple pretty severe curve balls which seem completely out of character. Frankly, the way the page count had been steadily decreasing since the 12th book already had me on edge… but then to go and devote what little space they had to such highly questionable developments on top of that has me feeling that there’s no need to continue following the franchise.


  • So I’m a Spider, So What? #6-11

    Despite heavy misgivings, as I have a mixed history regarding young adult novels (and LNs are simply the Japanese equivalent of such), I decided to pick this series up at the point the related Anime ended.

    To my great surprise the transition from episode 24 over there to book 6 over here ended up nearly seamless. The only notable inconsistency is that the protagonist has more parallel minds, a minor issue which ends up resolved anyway by the time the 7th book starts. That 7th book however is a problem. While on paper it sort of works, if it were to be animated it would provoke reactions similar to ones War of the Underworld‘s ending got.

    For the most part this isn’t an issue because nothing important to the main plotline occurs for like 90% of the novel… but that last 10% covers the protagonist getting her human body. An event that can’t really happen without all the otherwise unrelated lead-up. So a hypothetical Anime continuation would have to shoot itself in the foot animating it faithfully, or come up with an Anime-original method for her evolution. It’s a no-win situation.

    The next three books return to the style of the 6th and are solidly entertaining. The 11th however….

    This book is another problem child, but notably more-so than the 7th: 95% of its content is focused on Julius. You remember Julius right? Shun’s idolized older brother who died. That’s right, nearly an entire book given to a character that lost all relevance something like six books back. What was the purpose of this? The only thing that comes to mind is that it’s meant to foreshadow some sort of development with the Hero’s Sword… but that was just one scene. You didn’t need to devote the whole damn thing to a dead character.

    The remaining content is some brief Sophia interludes in which she sounds exactly like the protagonist (who sounds exactly like the author). Being generous this curious personality shift could be attributed to the Envy skill… but considering the book is focused on Julius of all people I suspect the actual reason is that the author simply got lazy/lost sight of her character.

    Regardless, while there were some hiccups, overall I’d have to call this experiment a success. I’m definitely looking forward to the 12th book (the translated version of which will be released later this month) and in the meantime may check out some other Anime-related series that are unlikely to get an animated continuation any time soon.


  • OATHBRINGER & RHYTHM of WAR

    The third of Brandon Sanderson’s Stormlight Archive novels benefits greatly from having read both Edgedancer and Warbreaker (which I thought I talked about before but apparently haven’t) beforehand.

    Sadly I’m not sure it’s really worth the investment; a good 90% of the book is essentially treading water with events and characterizations repeatedly progressing one step forward and then one step back (Shallan’s sections in particular become painful to read). Only the very last section is truly engaging… but it’s engaging in a manner that echoes a cliffhanger, coming across as deliberately manipulative (which of course it is) rather than feeling natural.

    The follow-up picks up after a 1-year time skip and starts off much better. Unfortunately it seems Sanderson can’t help himself here and once again reverts to character (Kaladin this time, though Shallan hasn’t improved) and event regression to pad out the novel’s length. Its finale isn’t anywhere near as satisfying as the prequel’s either, partly because yet another artificial extension has been introduced (related to Odium this time).

    All that combined with Rhythm‘s foreword stating that the series is intended to be ten books long has me thinking I should just cut my losses now rather than continue to plod through thousands of pages of circular developments for just a couple hundred filled with excitement.


  • Shadows of Self & The Bands of Mourning

    Shadows of Self is the fifth book in Brandon Sanderson‘s Mistborn series. Fortunately, as I remember nothing at all about the prequel, reading it does not require all that much familiarity with the setting or previous events; having read Secret History will be enough (though having read the entire series will of course enhance the experience). It’s solidly entertaining from start to finish.

    Bands of Mourning continues from where that left off, but has a distinctively different atmosphere. It’s more of an ensemble story with most scenes involving three or more members of the now core group of Wax, Wayne, Marasi, Steris, and MeLann. While the cast expansion works however, the setting and scope expansion does not. The new city ends up a vestigial speedbump, the airship and related ‘lost civilization’ are badly integrated, and the ‘evil ancient god’ subplot comes across as extraordinarily arbitrary. It does finally resolve the issue of Wax’s uncle (which is nice I guess)… but I just can’t see his replacement as an improvement.

    Apparently there’s going to be one more book to conclude this segment of the series (it was supposed to have been released by now but allegedly got delayed by the creation of an unrelated YA series), but honestly I’m not all that interested in it if it’s just going to effectively be retreading ground the early Mistborn novels already covered.


  • The Way of Kings & Words of Radiance

    The first novel in Brandon Sanderson‘s Stormlight Archive series reminds me of R. Scott Bakker’s Aspect-Emperor series. Mostly in structure and length, but also slightly in content (it’s nowhere near as dark/gritty or philosophy-laden though… which could go either way depending on your personal tastes).

    It starts out pretty boring while laying the groundwork, picks up markedly by the halfway point, and becomes downright exciting toward the end. Aside from the questionable beginning, the only real issue I had with it were Kaladin and Shallan both acting pretty stupid much of the time. With a book the size of this one you wouldn’t think a mere two characters’ actions could drag it down, but they both end up central to the story it wants to tell. The intermittent flashbacks to Kaladin’s past aren’t particularly interesting either.

    The second novel, Words of Radiance, pretty much entirely redeems Shallan… but Kaladin relapses for a while. I’m also still not fond of the flashback segments (this time focusing on Shallan) and the random character resurrection at the end seems, well, random and ill thought out. That said, overall it’s notably more consistent than the prequel and I’m definitely invested in seeing how the story develops from here.